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Zeros and Ones is Ferrara’s pandemic project, and in a typically counterintuitive fashion it’s not an interpersonal drama set amongst Zoom windows but a genre movie with CGI explosions and global themes, a political thriller that necessarily eschews the sleek surfaces of contemporary studio filmmaking for the digital chiaroscuro and ellipitical storytelling that I think of when recalling some of the experiments of the early Dogma movement and its miniDV-shot American independent compatriots. There’s a terrorist plot to blow up the Vatican but JJ’s got a more personal (and possibly intertwined) mission as well: his twin revolutionary brother, Justin (also Hawke), has been captured, and JJ’s nocturnal journey is an attempt to rescue him and possibly find some sort of spiritual salvation along the way.īut the above is just the most reductive parsing of a narrative that fully embraces not only the destabilizing ambiguities of a world suddenly upended but that world’s clarion call to a filmmaker who’s still a guerilla at heart.
“Jesus was just another soldier, another war casualty - but on who’s side?” That’s military man JJ, played by Ethan Hawke, in voiceover as he walks the COVID-deserted streets of Rome in Abel Ferrara’s new Zeros and Ones. Abel Ferrara, Ethan Hawke, Sean Price Williams, Zeros and Ones
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